Let You Drive The Excavator, You Dug Out The Nuke

705. Qianlong’S Aesthetics? Craftsman's Work! (Please Order In Full)

[I didn’t expect that so many people praised Qianlong’s aesthetics. Could it be that no one praised the skills of this craftsman? Sure enough, they are all unknown in the torrent of history.

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[For a craftsman, his work is the best compliment. 】

[The praise now is only temporary, so what will happen in the future? 】

[After all, Qianlong liked this thing, so he kept it, so it means that Qianlong also thought it was good-looking. 】

[In fact, no one said that Qianlong's aesthetics was not good. He just liked brightly colored styles. This was his personal aesthetics. 】

[Yes, he likes the farmhouse style because it is festive enough. 】"one two three"

【The flower of wealth in the world. 】

[In terms of aesthetics, there is really no comparison between him and his father. 】

[That’s because he and his father have completely different personalities. His father is mostly aloof and elegant and likes minimalism and elegance. Qianlong should be a person with a rich personality and is also emotional, so he likes flashy things. 】

[This shows that he has a good mentality and a long life. 】

[Actually, Qianlong's aesthetics were very diverse. I feel like he liked everything. His aesthetics was different from that of normal people. 】

[In that era, the brighter the color, the higher the cost. Just like our grandparents liked brightly colored red cloth when we were young. The working people in ancient times really liked Yong. Unlike now, everyone pursues simplicity. Qianlong liked bright red cloth. It’s really understandable, it was really the popular aesthetic of that era. 】

[It’s not that Qianlong didn’t have aesthetics, it’s just that he loved showing off his skills more than aesthetics. He complained about the porcelain mother, “You can learn about the production process.”

[Isn’t the production process not craftsmanship? The poor aesthetics is because of Qianlong’s guidance. 】

[What do you mean by aesthetics? Can you explain specifically how ugly it is?]

[Big Porcelain Mother, in general, is like a menu. They are all beautiful works of art individually. It’s just that these ingenious and beautiful works of art that cannot be put in are summarized on bottles. So to sum up, I think you To say that Qianlong's aesthetics was not good is simply nonsense. 】

[Even if you don’t understand shit, Qianlong’s aesthetics is not enough. 】

[What does the lack of aesthetics have to do with showing off skills?]

[What does showing off technology have to do with aesthetics?]

[Actually, it’s just the designers who fail, and the fabrics produced by the designers are obviously very good. 】

[What is the comparison between ceramics and fabrics? Porcelain is just a bunch of craftsmanship mixed together, mainly for the purpose of showing off skills and beauty, and secondly, the purpose of showing off skills has been realized. 】

[Are your thoughts so rigid? Why can’t we compare the two? 】

[Why do you think this will look good? Actually, I don’t think this looks good either. 】

[If this doesn’t look good, I think you need to question your own aesthetics. 】

[Finally someone said it doesn’t look good, but I don’t think it looks good either. 】

[Yes, it really doesn’t look good. The color scheme is very uncoordinated and there is no sense of cohesion. 】

[It really makes people feel irritable and the color is very dazzling. 】

[It’s just a jar, but time gives it value. What’s precious is not the item but the time. 】

[If you knew how difficult it was to make porcelain in ancient times, you wouldn't feel this way. 】

[Is there a conflict between high difficulty and poor appearance? 】

[I think there is no conflict. The preciousness of an item is not completely equivalent to whether it is a jar or a bottle. Are you right? 】

[You keep talking about the Great Porcelain Mother, the Great Porcelain Mother, what does it really look like?]

[Qianlong is known as a farmhouse, and its aesthetics are not for nothing. If you look at the cultural relics produced during the Qianlong period, you will know that the colorful background will never be plain.

[

After digging out the peach blossom copper glaze, Fang Yang's work is finally over.

He did not hesitate on this matter and directly explained the general matter to the people from the Cultural Relics Bureau.

"Is the work over? It means there are no cultural relics that can be excavated around here, right?"

The people from the Cultural Relics Bureau looked obviously very disappointed.

However, Fang Yang has long been accustomed to the world of these people, so he doesn't react much to this at all.

When the other party said these words, he just nodded firmly: "That's right, my work is over, and now I can go back.

"If you want to carry out excavation work in the future, remember to pay attention to personal safety issues."

They must have considered this place when they chose it. Fang Yang was very sure of this.

He didn't even dare to speak casually at this time. After all, due to the influence of the previous cities, Fang Yang now completely refused to work overtime on 3.6.

And at this time, he really didn't speak casually. When the other party wanted to say something, he directly interrupted the other party's words.

So just when everyone was feeling disappointed and reluctant to let him leave, Fang Yang left.

When he got back to the car, Fang Yang couldn't help but breathe a sigh of relief.

It's really great. I really thought that I would be kept by the other party again. Now it seems that running fast is really beneficial.

"Brother, everyone in the live broadcast room is very interested in the Great Porcelain Mother. Do you think you can explain it to the audience in the live broadcast room?"